| Whistle Down the Wind | |
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| Music | Andrew Lloyd Webber |
| Lyrics | Jim Steinman |
| Book | Patricia Knop Andrew Lloyd Webber Gale Edwards |
| Basis | 1961 film Whistle Down the Wind |
| Productions | 1996 Washington DC 1998 West End 2001 UK Tour 2006 West End revival 2007-08 U. S. Tour 2010 UK Tour |
Whistle Down the Wind is a musical based on the 1961 film Whistle Down the Wind with music by Andrew Lloyd Webber and lyrics by Jim Steinman, known for his work with Meat Loaf and Bonnie Tyler.
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Whistle Down the Wind premiered at the National Theatre in Washington, D.C. on 12 December 1996, starring Davis Gaines as The Man and Irene Molloy as Swallow. It drew mostly negative reviews, and the Broadway opening that had been scheduled for April 17, 1997, was subsequently cancelled. It was felt that, among other things, it was Harold Prince's direction that had led to its failure. However, it got a huge amount of advance publicity, due to Steinman's status as a popular American songwriter and how strange the combination of Steinman and Lloyd Webber seemed based on Steinman's prior work.
A concept album was released in 1998 featuring 12 of the songs from the show, covered by artists such as Tom Jones, Boy George, Tina Arena, Donny Osmond, the Everly Brothers, Boyzone, Meat Loaf, and Bonnie Tyler. In addition to this roster of popular recording artists and the gospel choir Sounds of Blackness, West End theatre stars Elaine Paige and Michael Ball and up-and-coming singer-actress Lottie Mayor, scheduled to play Swallow in the reworked West End version, appeared on the album. Steinman and Lloyd Webber were executive producers.
A double album cast recording, produced by Lloyd Webber and Nigel Wright, was released the same year featuring the original cast of the West End production.
Notable songs from the show include "Whistle Down the Wind," "A Kiss is a Terrible Thing to Waste," "When Children Rule the World," and "No Matter What." The last of these was released as a single by Boyzone and had unprecedented success: it went platinum, was voted the UK's Record of the Year for 1998, and hit #1 in 18 countries, becoming the most successful single produced from a musical in history.
A reworked, and more successful, West End production opened at the Aldwych Theatre on July 1, 1998, starring Marcus Lovett as The Man and Lottie Mayor as Swallow, running for 1044 performances and closing in January 2001. This production was darker than the Washington, D.C. production, and was revised and directed by Gale Edwards, a director who had previously collaborated with Lloyd Webber on an updated production of Jesus Christ Superstar. More than half of the crew also came from Superstar to Whistle.
The principal cast for the original West End production were:
Subsequently, The Man was played by Jerome Pradon and Glenn Carter, and Swallow by Laura Michelle Kelly who went on to find great success in other West End leading roles including Eliza Doolittle in My Fair Lady and the title role in Mary Poppins. They later appeared together in Lord of the Rings at Drury Lane's Theatre Royal in 2007.
Aldwych Theatre London - Children's Cast of 1999-2000
In 2001, Bill Kenwright produced and directed his own production of Whistle Down the Wind for a UK tour, starring Tim Rogers as The Man and Katie Rowley Jones as Swallow. He was granted a considerable amount of creative freedom as director, authorized by Andrew Lloyd Webber to make significant changes to the dramatic structure of the musical, including replacing the running parable of Annie and Charlie Christmas told to the children by The Man with a lighter-toned number called "The Gang" (lyrics by Don Black). This version was simpler in design and more focused on the human story than the spectacular visuals of the Aldwych production. The show toured the UK a number of times with several cast changes between 2001 to 2004.
The principal cast for the reworked national tour (2001–2002) were:
At the request of Lloyd Webber, Kenwright brought his production of Whistle Down the Wind to the Palace Theatre, London in March 2006, where it played a limited run until August, filling the gap between the closure of another Lloyd Webber musical, The Woman in White and the opening of the Monty Python musical Spamalot. Tim Rogers reprised his acclaimed performance of The Man, and Claire Marlowe, another veteran of the UK tour, reprised the role of Swallow. The critical opinion was mixed, ranging from Michael Billington's 2 star review in The Guardian[1] to Benedict Nightingale's 4 star review in The Times,[2] but virtually all of the national papers agreed that this version was an improvement on Gale Edwards's Aldwych production.
The principal cast for the West End revival at the Palace Theatre were:
A tour of Whistle Down the Wind in the USA began in Houston in September 2007, and ended in February 2008 in Norfolk, Virginia. Planned Los Angeles and San Francisco dates were cancelled.[3] The production was directed and produced by Bill Kenwright, who had expressed, in his promotional video for the US Tour, his intention to take the show to Broadway.
The principal cast for the US tour were:
source: http://www.thewhistletour.com/cast.htm
Bill Kenwright will start the new decade with a brand new production of "Whistle", starting at the Liverpool Empire on the 20th January and moving onto venues including Bristol and Edinburgh. The production, the first of "Whistle" in 4 years, will be Directed by Bill Kenwright, Musically Directed by David Steadman with Choreography by Henry Metcalfe.
Full Cast List.
Based on the novel of the same name by Mary Hayley Bell, the setting was moved from Lancashire to small town Louisiana in 1959.
The show begins in a small church in Louisiana. We join the action just as the congregation are about to sing a song- Vaults of Heaven. After the song, the preacher concludes his sermon, and the congregation go their separate ways- we see the kids running and playing (Overture), and we are soon introduced to Swallow, Brat and Poor Baby. Poor Baby complains that "I Never Get What I Pray For," before they meet Ed, who is about to drown some kittens- Swallow manages to save them and the kids realize that they should have been "Home By Now." We also meet Earl, who is looking for a place to put up a tent for a revival meeting, where "folks go to dance with snakes" in order to test their faith in Jesus. Back at their home, their father Boone tries to convince them that "It Just Doesn't Get Any Better Than This," before recalling what his wife used to say: "Whistle Down The Wind." As Poor Baby puts it, 'Ma sang it better,' and Swallow leaves to go feed the kittens, while singing "Whistle Down The Wind" to herself. In the barn, she prays that God will look after the kittens, but is startled by a loud cry, and a man jumps out at her. When she asks who he is, he only manages to moan "Jesus Christ.." before he collapses. She, Brat and Poor Baby promise they won't tell anyone that he is there: "The Vow."
The scene shifts to a bar where Ed is singing "Cold" to entertain the townspeople. The Sheriff arrives at the bar to warn the town that there is an escaped killer on the loose, and that he could be hiding out nearby. We move back to the barn where The Man wakes to find himself surrounded by children, who all promise to take care of him and to keep his existence a secret. Left alone, he sings of "Unsettled Scores." Later that night, Swallow brings him some food, and asks him if he will bring her mother back: "Being the Son of God, it can't be that difficult for you!" She sings "If Only," thinking of the way she wishes things could be.
We then meet Candy, a young black girl, and Amos, a white boy, who sing of longing to get away from the town they live in, to a place they can be free: "Tyre Tracks and Broken Hearts." The townspeople sing of how the town used to be, and what it must be again: "Safe Haven."
The children are discussing what it would mean if the mysterious man really was Jesus Christ, and what a difference it would make to their lives: "Long Overdue For A Miracle." They realize that if they do everything right, they could save him, and that this could be the night "When Children Rule The World." In the barn, they beg The Man to tell them a story, and he complies, telling them a story which he says will be in the next Testament, "Annie Christmas". When he finishes, they ask repeatedly what the moral is, and when he admits that he doesn't know, they offer him gifts and promise that "No Matter What," they'll always love him. Above the stage, we see the adults preparing to hunt down the escaped killer, their anger in complete contrast to the children's innocence and happiness.
The second act begins with the townspeople once again preparing to hunt down the killer (Safe Haven Reprise), and we see The Man and Swallow in the barn below. The Man asks Swallow to retrieve a package for him, 4 miles away at the train tunnel, and on noticing that she is shaking, tells her to "Try Not To Be Afraid." Amos arrives at the barn to visit Swallow before he leaves town with Candy, and asks if she will tell him her big secret before he goes. He says if they share secrets, they'll have to seal them with a kiss, and that "A Kiss Is A Terrible Thing To Waste." The Man, hiding in the barn, overhears their conversations and joins in as Amos sings the song, realizing that they seem to correspond to his life- "The emptiest words that there'll ever be, it could have been me- it could have been me." Swallow asks Amos to take her to the train tunnel before he can kiss her. There, she retrieves the package, but is almost killed by a train, though Amos manages to push her out of the way in time. "You saved my life, Amos! That means I owe you one now!" she says, then she tells him her secret: "What would you say if I told you Jesus had come back? He's back, Amos! Jesus is in my barn!" They are interrupted by the Sheriff, who thinks he has discovered the killer, and is rather disappointed to find it is only Swallow and Amos! We also see Earl, who has been hiding in the train tunnel the whole time, and has overheard Swallow's secret. At home, Swallow finds Poor Baby, who is upset because his kitten, which he asked "Jesus" to look after, has died; Swallow suggests they ask "Jesus" why he allowed the kitten to die: "If Only (Reprise)." In the barn, The Man tells them another story to explain why the kitten died: "Charlie Christmas," saying that everyone dies in the end, "even the cat, even old Charlie...even your mother."
On the highway, we see Candy waiting for Amos: "Off Ramp Exit To Paradise," but when he eventually turns up, its only to ask her where Swallow is, as he says she's in trouble. When he runs off, Candy meets Earl, who says he knows Swallow's big secret, and knows why Amos is rushing off in such a hurry. When he tells Candy, she decides to get back at Amos and Swallow by telling the whole town Swallow's secret, interrupting the revival meeting: "Wrestle With The Devil." The townspeople decide that the killer has to be found once and for all, in order to save the children: "The Hunt."
Swallow runs back to the barn to warn The Man that the whole town are heading for the barn to catch him- when he says he will have to try and run for it, she begs him to stay, promising that she will protect him. He tries to make her realize that she is not the person she thinks he is: "Nature of the Beast." But she says that she realizes that now, and simply needs him to be whoever he is. When the townspeople get to the barn, they find it surrounded by the kids who are determined not to let them hurt The Man. Swallow is trapped in the barn with him, and he says he will take her hostage, but quickly changes his mind and instead pushes her out of the barn to safety. Left alone, he sets fire to the barn, so that when Swallow manages to get back in, there's no trace of him left. Swallow is convinced he hasn't left for good, saying, "He'll be back...I just know he will." Her father tries to make her see that he wasn't Jesus. She still isn't completely convinced, asking, "But how do you know?" The family, together again, sing "Whistle Down The Wind."
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* subsequently replaced with "The Gang" (also known as "The Tribe," lyrics by Don Black)
** subsequently removed
At the opening ceremonies of the Nagano 1998 Winter Olympics, a Japanese version of the song When Children Rule the World was performed by Japanese singer Ryoko Moriyama. Performing along with her were 150 yukinkos (Japanese for "snow children").
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